There are some assignments that make me love my job. This one, about Postpartum Depression for the New York Times, was one of those. It was a project that really stayed with me, mostly because of my subject. Jeanne Marie Johnson was so open with me and the writer about something so incredibly personal and difficult. And I clearly wasn't the only one that she moved with her bravery, BuzzFeed listed it as one of their top 9 stories of the week, and the NYT Opinion Page for the NYT was hopping. One of those days when I feel like I may have made a tiny bit of difference in this great big world.
Photographed spitfire Jenny Wendt for a Mother Jones Magazine story on statute of limitations for sexual assaults. Jenny, who was raped in 2005, has begun a campaign to change Indiana's laws, addressing rallies and meeting with legislators and is now working with lawmakers in Oregon. A serious topic calls for some serious images, but Jenny's personality is one of joy, warmth and humor. Well that and a will of steel.
So lucky to have the Oregon Symphony as a client. For the last several years we have had the pleasure of getting a behind the scenes view of the whole shebang. This involves going backstage, annoying audience members with shutter noises, climbing tall ladders, hanging with Carlos, that kind of thing. This year's marketing involved capturing the magic of the Schnitz with all its amazing architecture and unique historic details, plus the excitement and anticipation of attending the Symphony. We were pretty excited ourselves to have access to all the little secret spaces the concert hall has, and were kept on our toes by the documentary vibe they wanted.